I only had to take P.E. for one year, when I was in 7th
grade, and I hated its guts. Hey, this will date me: we had to wear actual
rompers as gym suits, that is to say, our shorts had elastic bands around the bottom, presumably
so no one could see our knickers when we ran. To make matters worse, I had it
first period, i.e. at 8 AM. Even in California it can be damned cold in the morning, but
after some of us tried to wear our turtlenecks under our gym clothes, our
teacher, Ms. Goode, bawled us all out: “That’s like wearing your bra OVER your
clothing,” she said.
This was my gym suit. Srsly. Note how we didn't have heads then. |
I had just turned eleven (having skipped a year in
elementary school) and I didn’t even wear a bra yet, so I didn’t even have the
slightest idea what she was talking about. “Why is it like that?” I asked my
friend Debra, and she patiently explained the analogy to me. I remember, during basketball, which we were
never picked to play, we would sit on the trampoline in the gym and I would
relate to her all the dirty parts of “The Exorcist,” which I had read and she
had not. She explained those bits to me
as well. That was her role in my life at the time - as it was many years later, when she became a lactation
specialist, and was forced into even more explication about bodily
functions.
After 7th grade I got a note excusing me from PE
forever and ever because I was on the local swim club and did more than 10
hours of exercise a week, but I was thinking about PE the other day, because it
struck me as I was reading the newspaper that Ms. Goode looked a lot like
Melania Trump. No wonder Melania gives me the creeps.
Having worked in, or at least alongside, the music business,
I feel like I’ve met a million Melanias, people for whom power and access is a
primary motivation. Not everyone you meet in the business is like that – many are
there because they love music – but there are enough of them to poison the well
pretty thoroughly. Also, they aren’t just in the music business, and they aren’t only
females. Wherever you are in the world, whether it is backstage at the Forum or
in a baby nursing group at Kaiser, you will immediately recognize this type of
person, because, to begin, they pretty much don’t like other women. If they’re
women themselves, they view other women as competition. If they’re men, they
view them as inherently powerless, and therefore lacking in anything worth having.
In fact, it might not be going too far to say that there are
two types of people in the world, the type who are like that, and the type who
are not, and the two types seldom mix socially.
this is what I wear to festivals too |
I could be extrapolating needlessly but I think that the
Fyre Festival in the Bahamas last weekend was filled with people who had that
fundamental mindset. You know: that Festival that costs five figures to attend
and you were supposed to get luxury beach lodgings, special food, all access
passes and so on, just to see Blink 182. It is very hard for me to believe that
anyone thought that was worth $12,500 but apparently such was the case. For one
tenth of that, you can buy RT tickets to the Bahamas, a lovely brunch and a B
and B on beautiful beach somewhere, so it’s hard to see where the value in the ticket
was.
According to this article in Vanity Fair, the festival's cachet was sold via
posts made on social media by today’s supposed tastemakers. Therefore, buying a ticket was
supposed to be buying a backstage pass to glamour. But there’s a fundamental problem with that idea. It’s all
what Baudrillard would call a simulacrum – “that which conceals the truth.” And
simulacrums usually get found out.
you say you don't want to live like a refugee? |
So watching the Fyre Festival implode on social media was
pretty much how I spent my weekend. At first, it was fun to think about: all
these rich people stuck on an island in little tents eating cheese sandwiches,
having preloaded all their money onto wristbands that didn’t work in town, etc.
But it got depressing real fast. If you look even cursorily at the festival’s monetization plan, it exhibits a sort of greedy stupidity that characterizes
last fall’s election as well. And I should know: I did my dissertation work on
the rock festivals, and it is clearly the nadir of the form to date. In my
scholarly work, I speculated that festival culture would become ideological
state apparatuses, solidifying faith in capitalism through the false
consciousness of music-based imagined communities. Instead, it seems to have
devolved in exactly the same way as our current political scene: rather than focusing on music or even on ideology, this festival, like today’s political
culture, is focused on the creation of brand, wealth, and ultimately, the
homogenization of experience. Today’s
festivals provide proxy-spectacles for social and cultural capital, which in
themselves are proxies for power and access.
In short, the Fyre
Festival’s failure is symptomatic of the vast misunderstanding that is under-girding all civic life right now. It reminds me of what someone oncecalled “the slutty allure” of a second order simulacrum. Trump Presidency = Fyre Festival = Boom.
the slutty allure of Green Day's simulacrum? |
I know I am oversimplifying here. Festivals aren’t terrible.
I have friends who love going to Coachella, and Burning Man, both of which are
very expensive. I know that they like them because they see them as these
temporary autonomous zones where they live outside the social hierarchies that
make our lives such hell, and that is totally understandable. Yet the fact that
these T.A.Z.’s are so expensive to participate in is problematic. It reminds me
of a column I wrote in the original Fools in which I pondered why it is that
the cheaper a concert is, the better. All my favorite concert experiences – and
it’s true of festivals as well - have been extremely affordable, and if you
think about your own experiences, I bet you’ll agree: the quality of a concert
is almost in inverse proportion to its cost, and only Walter Benjamin knows
why.
This is why I refuse to buy Hamilton tickets, by the way. I
just feel like I can’t enjoy anything that expensive. One day ages from nowI’ll see Hamilton somewhere for a reasonable price and it will be fine, I’m
sure. But it’s not some unrepeatable exclusive thing that I need to go into
debt for. And I wonder: these days, what is?
5 comments:
So true about the price vs quality of festivals. And I have no problem continuing to annoy people with memories of paying little to go to SXSW in the late eighties,etc... Good post!
Yeah, I think Southby used to cost $35 for the whole four days. But that way madness leads! Caitlin just told me the joke at her high school is that the Fyre Festival = regular camping trip.
Gina - I have two tickets to see Hamilton in London in June 2018. They were quite cheap. Come and be my guest!
I think Hamilton is the exception. It's both riveting as a theatre and terrific music, but also like a thesis and a Rivera mural where you know most of the references. And, there's a $10 ticket lottery.
Thank you for giving me insight, tips and information on this. It helps me a lot! Can’t wait to read more updates from you.
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